She is a self-taught multimedia artist, a published poet, author, and art critic, a lecturer and independent scholar, as well as a stage performer.

She now lives and works in San Miguel de Allende, Mexico.

Aaronson has exhibited her work in France, Israel, Lebanon, Mexico, South Africa, and the USA. She was the official Piccolo Spoleto poster artist, in 1989, 2001, and 2005, and also created posters for The Alliance Française and the Jewish Cultural Center of Charleston, SC.

She holds a BA in History of Art, an MA in French Literature and a PhD in Philosophy and Comparative Literature.

Her creative journey is an adventure of the senses, a synaesthesia of energies and media…beyond frames, beyond categories. Oils, acrylics, canvas, wood, paper, found objects, watercolor, charcoal, monotype, etchings, collage, photography, ceramic, bronze casting, clay… Aaronson touches and transforms everything.

“Whatever I do, the image is the heartbeat of my identity. Multiple and “polypetal,” the image is dug within the core of being, harnessed within the energies of becoming. Images breathe life because the image is skin… and sap…at the same time…

Art is a walking memory… A memory of the senses…A memory of the soul….within and out of time…



Mitzi Bidner owned the “Soho Mercer Gallery” in New York city, and Ottawa in the 1970’s and 80’s. Mitzi Bidner’s paintings have been exhibited Internationally since the early 1970’s until today, in Museums, Galleries and Private Collections.

Recently she began directing visual art films, when she realized that there was a lack of quality art films on living artists, being shown on Television and Internet. The recent theatrical debut of “Art Today’s” series on “The Artists of San Miguel” was an overwhelming success. Sixteen films in this series have been filmed and are in post production.

She is pleased to announce her next series “The Artists of New York City” which will begin production on May 15th, 2008.

His powerful lines and defined colors stand out in works of an original format, full of imagery and energy. Bürkey, who lives and works in both Chile and New York, has now also set up shop here in San Miguel de Allende. As the son of a prominent Chilean art dealer/filmmaker/news correspondent mother and a US truck/taxi driver father, Bürkey has journeyed to a point where his paintings tell their own unique story.

His art schooling began at the Cincinnati School for Creative and Performing Arts, but he has also studied automotive mechanics and worked at nuclear power plants in both the U.S. and Spain. In a way, he is a walking contradiction. His work is also heavily influenced by the inheritance and influences of both ends of America, where he has researched the ancestral and cultural roots of the continent.

The myths and tales of the South Pacific, including that of Lemuria, are also constant inspirations which fuel Tomas’s imagination, his powerful lines, and his energy. Through the loose applications of a very tight color palette, his evocative movement and brush- strokes provide a tone and content reminiscent of Dante’s poetry. Corporal gestures and contortion push the limits of the human figure and imagination while evoking pathos for the searching of the artist in his ever-changing conscience.